Implementing the Tandanya-Adelaide Declaration at the Australian War Memorial

  • Margaret Farmer Australian War Memorial, Canberra, Australia
Keywords: Australian War Memorial, Australian Wars, decolonising;, Frontier Wars, Indigenous Cultural and Intellectual Property protocols

Abstract

The archives of the Australian War Memorial (herein referred to as the Memorial) were established in 1917 with a national aim – to preserve as ‘sacred things’1 the records made by the Australian Imperial Force in the war of 1914–1918. Over time, the Memorial and its archives have expanded to include Australia’s involvement in earlier British Imperial wars to recent conflicts in Afghanistan and Iraq, and peacekeeping and humanitarian operations; however, the Memorial resisted, amidst intense national debate, the 40-year call for extensive coverage of the wars on Australian soil, by which Aboriginal and Torres Strait Islander peoples were violently displaced and colonised and the nation state of Australia was formed.

In September 2022, it was announced that the Memorial’s Council had made the decision that there would be ‘a much broader, a much deeper depiction and presentation of the violence committed against Indigenous people’,2 and in February 2023, it was confirmed that the Memorial would have ‘a proper recognition of the frontier conflict’ in its galleries.3 This is an important endeavour that requires unwavering implementation of research and curatorial best practice in relation to Aboriginal and Torres Strait Islander peoples’ knowledges, cultural material, intellectual property, and experiences of war, violence, discrimination and trauma.

As the Memorial seeks to open and develop its archives to support its forthcoming truth-telling, Memorial curators are working to implement the Tandanya-Adelaide Declaration (2019) (herein referred to as the Declaration) and Indigenous Cultural and Intellectual Property protocols to establish ‘an ethical space of encounter, respect, negotiation and collaboration’.

Author Biography

Margaret Farmer, Australian War Memorial, Canberra, Australia

Margaret Farmer is a New Zealand-Australian curator, writer and editor. As Senior Curator, Honour Rolls, Official and Private Records at the Australian War Memorial, and a member of the Memorial’s Reconciliation Action Plan Working Group, she is involved in several capacity building and research initiatives towards the Memorial’s presentation of Frontier/Australian-Wars-related content. These include being project manager of the Memorial’s Cultural Safety and Diversity Audit (2024) and the development of the Memorial’s Indigenous Cultural and Intellectual Property Framework (2025). Margaret was lead curator of the Memorial’s special temporary exhibition The Courage for Peace (October 2019–June 2020), and four-part exhibition series A Home on a Southern Hill (November 2016–August 2018). Previous exhibitions include the City of Sydney public art program We Make This City (November 2011 – May 2012), and the UNSW touring exhibition Terra Alterius: Land of Another (2004–2006). Margaret’s abiding interest lies in creative and curatorial practices that build connection and possibility in relation to complex histories and threatened futures.

Published
2026-09-14
How to Cite
Farmer , M. (2026) “Implementing the Tandanya-Adelaide Declaration at the Australian War Memorial”, Archives & Manuscripts, 53(1), pp. 77-85. doi: 10.37683/asa.v53.11077.